What is EQ in mixing?
EQ (equalization) is the process of boosting or cutting specific frequency ranges to change how a sound feels in a mix. Think of it as tone-shaping with a scalpel.
The frequency spectrum (simple map)
- Sub bass: 20 to 60 Hz
- Bass: 60 to 150 Hz
- Low mids: 150 to 400 Hz
- Mids: 400 Hz to 2 kHz
- Upper mids: 2 to 5 kHz
- Presence and air: 5 to 16 kHz
Common types of EQ
High-pass and low-pass filters
Filters remove everything below or above a cutoff point.
Bell (parametric) EQ
A bell boost or cut targets one frequency area with a set bandwidth (Q).
Shelf EQ
A shelf raises or lowers everything above (high shelf) or below (low shelf) a frequency.
Practical EQ moves (safe starting points)
Vocals
- High-pass to remove rumble (start around 80 to 120 Hz)
- Reduce muddiness in the 200 to 400 Hz area if needed
- Add clarity carefully in the 2 to 5 kHz zone
Kick and bass
- Decide who owns the deepest low end
- Cut a little where the other one needs space
Acoustic guitar
- High-pass to avoid low-end buildup
- Control harshness around 2 to 4 kHz with small cuts
Drum overheads
- High-pass to reduce room rumble
- Add a touch of air with a gentle high shelf if the cymbals feel dull
EQ workflow: how to make decisions fast
1) Listen in context, not solo 2) Identify the problem (mud, harsh, boxy, thin) 3) Use a narrow band to find it, then widen slightly to fix it 4) Level-match and compare
EQ and compression together
EQ shapes tone; compression shapes dynamics. Many mixes get easier when you do gentle EQ cleanup before compression, then fine-tune after.
FAQ
Is it better to cut or boost?
Cutting is usually safer. Boost when you have a clear reason and the source can handle it.
What is Q on an EQ?
Q controls bandwidth. Higher Q means a narrower band.
Related reading
If compression still feels confusing, read our plain-English guide to audio compression.
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